January 20th, 2012

enhanced e-books coming…

In a move that could shape the market for enhanced e-books in dramatic ways, Apple announced Thursday that it will partner with publishers and educators to create interactive digital textbooks. As a sample title, Apple released a free version of “Life on Earth,” a multi-media biology book by E.O. Wilson, which includes interactive features such as animation of DNA, videos of ants and invasive trees, and quizzes.

Oh my that will a blast.  I remember my earliest years when the best you got was a teacher who could draw on a blackboard. So cool what we have coming our way.

And in the early part of that article it talks about a new young-adult novel called Chopsticks.

Interesting don’t you think.

I can’t help but think how this format could be used to talk about philosophy, and of course poetry. Like this:

A widely praised app for T.S. Eliot’s “The Wasteland” includes a facsimile of the manuscript with edits by Ezra Pound, readings by Eliot recorded in 1933 and 1947 and a video performance of the poem by actress Fiona Shaw.

Such wonderful potential – imagine 12 Ways to Look at a Blackbird with those possibilities.

Or Sophie’s World

Or…

January 19th, 2012

beauty in biology

I was so taken by that video Cathy linked that I went hunting for more. I found this right at the beginning of my search.

Drew Barry is a biomedical animator. What an outstanding career for someone who is both a science afficianado and a creative type. I also found “Molecular Movies” which has a number of wonderful little bio-vids.

January 17th, 2012

I can hear screaming

They survive as a whole, or they die as a whole. Selection shifts to the multicellular level,” says Ratcliff.

I can hear screaming off in the metaphorical distance. Why can I hear screaming?

(btw, a wonder article about multicelluar evolution – sort of in two streams – one over here and the other at the link in the first four words of this post.)

Never heard of this guy before today, but I know about him now. Hah!

He’s coming out with a book in March 2012 called How to Steal Like an Artist. The linked website gives a taste of his advice.

…list of 10 things I wished I’d heard when I was starting out:

  1. Steal like an artist.
  2. Don’t wait until you know who you are to get started.
  3. Write the book you want to read.
  4. Use your hands.
  5. Side projects and hobbies are important.
  6. The secret: do good work and share it with people.
  7. Geography is no longer our master.
  8. Be nice. (The world is a small town.)
  9. Be boring. (It’s the only way to get work done.)
  10. Creativity is subtraction.

The link in item 1 goes to the original blog post – which has become the book. He illustrates each of the ten points. It’s most definitely worth reading.

There are a couple of good (short) talks on video too. Try here and here.

He also does this thing with redacting newspaper articles and out of it comes poetry. He has a book called Newspaper Blackout for sale; there are examples on his website. This is my particular favourite.

December 28th, 2011

something art can do

Hugh Leeman from Agency Charlie on Vimeo.

via Wooster

Wonderful thing this.

December 25th, 2011

a new way of looking at books

as design space – literally.

peardg sent me a link to Colossal Art & Design – an article called “Carved Book Landscapes by Guy Laramee“.

 

Awesome. Makes me wonder what he would do with the corpus of Gothic Romanticism produced in the late 19th century by British women – not to dis Horace Walpole.

Here’s his website.

Do an experiment for me. Because science involves getting your hands dirty (sometimes literally). Go for a walk outside and clear your mind. Don’t think about work or school or whatever your friends are doing. Just clear it out so you have room to appreciate what you’re seeing. Look at trees, clouds, shadows. Animals if there are any around. Flowers. Take a close look at plants and try to find insects on them. Look at lamp posts, at fences, at cracked bits of paving, at bicycles. Go up close and have a good look at peeling paint, spots of rust, chips, and cracks. Look at dirt. Look at water.

Think a little bit about how each of these things came to be there, how it works, what makes it look the way it does. In some cases you might know. Think about metal and its interaction with oxygen in the air, the exchange of electrons that leads to chemical bonding, and how that forms spots of rust. In some cases you might not know. But have a think anyway – wonder why the shadows of things close to the ground have sharp edges, while the shadows of things further away are softer and blurry. And if you find something that you don’t understand deeply, remember it when you go back inside and look it up and try to find out why.

Now when you look at the world in this way, don’t you find it more amazing and interesting and wonderful than when you wander around in a daze thinking about work or school or not missing your bus or whatever?

Cathy sent me a link to this article on Irregular Webcomic!. It’s essentially an explanation of why knowing science adds to your sense of awe and wonder with the world instead of detracting from it as (apparently) so many claim and/or fear.

The key sentence:

Understanding leads to appreciation.

Yes it does.

But it also requires a certain level of comfort with change because new understanding also leads to new ways of thinking. And that can be scary.

But there’s another critical thing here. People often seem to assume that feelings are irretrievably linked to a specific narrative. So if you’ve found or created a life narrative (an explanation that explains your situation to yourself – that makes sense of it and thereby gives you some little sense of control) that provides moments of hope, or awe, or wonder, the threat in losing that narrative (of having it proved wrong, for example) is that we will simultaneously lose those precious feelings. And sometimes it is only that hope that we will, in some future moment, feel that awe or wonder that keeps us going.

Feel lousy this morning? You can get up and move through the morning work routine because your story tells you that there will be a payoff at some point in the future. In times like those it’s really hard to give up the story – even when the narrative is itself the reason you feel so frakkin lousy (which btw is often the case).

That’s really the point underneath the article. And it is important.

Our feelings are a critical point in any narrative, but the narrative is an ephemera compared to the feeling set. No matter how awful things get, we as a species still have the same set of feelings. We do hope and awe and wonder if we are slaves or if we are masters. It doesn’t matter what narrative we construct, those same feelings will find a home within the story.

So if feelings are not a useful criteria for choosing which narrative to live by, what criteria are appropriate?

Aha! Now that’s the question.

What’s your answer? (Mine was decided many decades ago, but I really do want your answers before I reveal mine. Post them to comments here or email me mary (at) tailfeather (dot) ca

 

 

via brainpickings

I was browsing at Eideard and saw this:

Toby Atticus Fraley, Artist - new installation

oooooh – what a wonderful idea. I posted a comment over at Eideard’s site but found myself still thinking about Fraley’s installation sometime later so I thought I’d share it with you.

I went to Fraley’s site and saw some of his other work. He makes teapots. Yes. Teapots. And ceramic sculptures – clockworks. He’s also a photographer. The ones available on his website are of American landscapes. My favourite on the site when I went there is this one:

Toby Atticus Finch, artist

Partly what captures me is the Amazing Futures style of his work – the Jetson’s like quality of his vision. There’s a playfulness, and a hopefulness about it that is really very masculine (see all the boys in love in the photo below), but his vision is also very American. It however, does seem to lack the current bitter angst that pervades much of contemporary political/religious/economic life. It’s a very good artist that can create without existential loess gumming up the delicate gears of human sensibility.

Makes me want to go to Pittsburgh.

Toby Atticus Fraley, artist Robot Repair Shop Installation

November 9th, 2011

gender games

Male birds who dress like females:

Some male harriers are colored almost exactly like females, with mainly brown plumage and white heads and shoulders, instead of the overall gray of adult males. It’s not because they are immature, as is the case in many bird species, but because they spend their life in drag, a type of permanent mimicry known in only one other species of bird.

The abstract from the originating article:

Permanent female mimicry, in which adult males express a female phenotype, is known only from two bird species. A likely benefit of female mimicry is reduced intrasexual competition, allowing female-like males to access breeding resources while avoiding costly fights with typical territorial males. We tested this hypothesis in a population of marsh harriers Circus aeruginosus in which approximately 40 per cent of sexually mature males exhibit a permanent, i.e. lifelong, female plumage phenotype. Using simulated territorial intrusions, we measured aggressive responses of breeding males towards conspecific decoys of females, female-like males and typical males. We show that aggressive responses varied with both the type of decoys and the type of defending male. Typical males were aggressive towards typical male decoys more than they were towards female-like male decoys; female-like male decoys were attacked at a rate similar to that of female decoys. By contrast, female-like males tolerated male decoys (both typical and female-like) and directed their aggression towards female decoys. Thus, agonistic responses were intrasexual in typical males but intersexual in female-like males, indicating that the latter not only look like females but also behave like them when defending breeding resources. When intrasexual aggression is high, permanent female mimicry is arguably adaptive and could be seen as a permanent ‘non-aggression pact’ with other males.

It makes me remember a woman I once knew who was rather violently opposed to homosexuality (her son was a closet gay applying to belong to the Catholic priesthood). Her reasoning was that homosexuality wasn’t normal biologically. She said to me “bucks always go with does.”  Silly woman. For someone whose set of values was centered around the natural world and the power of animals, she sure didn’t know much about them.