March 24th, 2011
animal fun
posted over on fb by PL – Thanks Paul
Here’s another similar fun vid – human beings are good for something anyway
So it’s not only people who play football (beakball?)
March 20th, 2011
just because
March 11th, 2011
cats with thumbs would so not be a good idea
I know it’s an ad but it’s funny.
Go here for the full ad – it’s worth it.
March 11th, 2011
delightful snakiness
For some reason I find this little video truly delightful.
via Wimp
March 9th, 2011
my friend the pig
This photo is from the National Geographic site (click on the photo to go there). It reminds me of a couple of friends I have who also have pigs for companions (aka pets). They are perhaps not as easy to ignore as dogs, but they make wonderful house mates if proper respect is shown for pig nature.
The caption on the NG site speaks about the young woman’s municipality and the difficulty they had in seeing Daisey Mae as a “pet.” I suppose the city tried to make her get rid of Ms Pig; I am sure that did not go down at all well.
I’ve also known pet ducks, badgers, bobcats, ravens, pigeons and skunks as well as the now more normal snakes, ferrets, weasels, rats and lizards. Domestication (even as minimal is it is for some “pets”) is hardly the best way to get to know a species, but at the very least this expansion of types of human companions represents a returning sense of interest in the world as something we share with all kinds of non-human beings. Having a badger as a pet is far better than having one as a kill trophy.
March 8th, 2011
technological frog
February 23rd, 2011
what it means to understand what the world is really like just because you live in it
I saw this video when I came back home today, just as I’m getting into section two of Philosophy in the Flesh. The video made me think about the fundamental power that our capacity to reason through metaphor gives us. It is that power, along with attention to actual experience, that allows us to understand and predict the lion’s probable reaction—and get away with part of their kill. It has other implications as well, such as the fact that it works (hence human survival) means that our basic metaphors and cognitive unconscious probably share many of the same structures as most life forms that share environments and life-ways (i.e. hunters, scavengers, etc). It brings into question Nagel’s bat thing, for one. We might, in fact, know much of what it’s like to be a lion if our base metaphors and our cognitive unconscious share many “genetic” similarities.
February 5th, 2011
mind, origins, apes
PBS Nova produced a show called Ape Genius. One of the most intriguing sections (part 4) talks about how symbols can help develop control over emotion, and therefore impulse control – a big component of the ability to cooperate. Another is in the final section (6) that suggests that a key component to the cognitive difference between humans and the non-human apes is our obsession with other minds – what we call teaching and learning.
On youtube Ape Genius appears in six parts:
part 1: young chimps learning to play in the water; the peanut in a tube problem; chimps hunting with a spear
part 2: evidence for ape culture; the emotional life of chimps, mother reacting to the death of her child
part 3: Jane Goodall; termite fishing; chimp troop hunting monkeys; cooperation amongst apes; chimps asking for help/helping humans; bonobos defending body of dead male
part 4: apes and numbers; ape memory; Kanzi knows English; impulse control
part 5: knowing what another is thinking; learning versus copying in human children and apes
part 6: pointing as an indicator of communication; shared commitments to shared goals; the desire to teach and what it indicates
February 3rd, 2011
the poetry of body from whence the poetry of words gets its start
BIRD film from Andrew Zuckerman Studio on Vimeo.
Zuckerman has a book available called Bird. Based on this video, I have ordered a copy. There is something about birds that carries beauty in and through time. Perhaps it’s their long heritage – I mean they are dinosaurs-still-wandering and how cool is that. Perhaps it’s the way they move that makes clear the origin of meaning in the body’s expression of itself in the world. I’m not sure, but I do know they captivate.
January 26th, 2011
master
Emily Dickinson’s master poems have incited riotous rage in academics, some arguing for Bowles, some for Wadsworth, and on the odd occasion, some for Susan. Not that I have any insight into the “truth” about Emily’s chosen master, but I know that if it were me, “master” might have been projected onto any number of actual persons, but the real, self-aware, master would have been my poetic sensibility; my  ”master” would have been built in my own image. I suspect the same of Emily but who can know?
As for me, I don’t project that part of me onto human beings, or onto human being-like gods. I’m more inclined to Emily’s flowers, Wordsworth’s Snowdon, and assorted other non-human phenomena. As an aside, I can’t recall any theorist suggesting flowers as Dickinson’s master, despite their power to bestow grace. It seems to me just as viable a suggestion for a poet as any of the aforesaid human beings. It might make a fun thesis for someone.
But to the reason for this post: I am staying briefly with a friend who is house sitting. The lady of the house is off a-travelling, but the master remains at home. Let me introduce you:

My Life had stood - a Loaded Gun - In Corners - till a Day The Owner passed - identified - And carried Me away - And now We roam in Sovereign Woods - And now We hunt the Doe - And every time I speak for Him - The Mountains straight reply - And do I smile, such cordial light Upon the Valley glow - It is as a Vesuvian face Had let its pleasure through - And when at Night - Our good Day done - I guard My Master's Head - 'Tis better than the Eider-Duck's Deep Pillow - to have shared - To foe of His - I'm deadly foe - None stir the second time - On whom I lay a Yellow Eye - Or an emphatic Thumb - Though I than He - may longer live He longer must - than I - For I have but the power to kill, Without--the power to die--

He fumbles at your spirit As players at the keys Before they drop full music on; He stuns you by degrees, Prepares your brittle substance For the ethereal blow, By fainter hammers, further heard, Then nearer, then so slow Your breath has time to straighten, Your brain to bubble cool, -- Deals one imperial thunderbolt That scalps your naked soul.

Sexton! My Master's sleeping here. Pray lead me to his bed! I came to build the Bird's nest, And sow the Early seed -- That when the snow creeps slowly From off his chamber door -- Daisies point the way there -- And the Troubadour.
Needless to say, all the poetry is Emily’s. A final note: if I was going to worship anyone, it would be master.





