Mad German Auteur, Now in 3-D! is an article over GQ.

I had no idea Herzog was as interestingly nuts.

(the italics mark the interviewer’s question)

What’s the mistake with psychology and self-reflection?

“There’s something profoundly wrong—as wrong as the Spanish Inquisition was. The Spanish Inquisition had one goal, to eradicate all traces of Muslim faith on the soil of Spain, and hence you had to confess and proclaim the innermost deepest nature of your faith to the commission. And almost as a parallel event, explaining and scrutinizing the human soul, into all its niches and crooks and abysses and dark corners, is not doing good to humans. We have to have our dark corners and the unexplained. We will become uninhabitable in a way an apartment will become uninhabitable if you illuminate every single dark corner and under the table and wherever—you cannot live in a house like this anymore. And you cannot live with a person anymore—let’s say in a marriage or a deep friendship—if everything is illuminated, explained, and put out on the table. There is something profoundly wrong. It’s a mistake. It’s a fundamentally wrong approach toward human beings.”

On Herzog’s idea of a film school

Point four of the school’s online rules forcibly clarifies this: “The Rogue Film School will not teach anything technical related to filmmaking.” Other points illuminate aspects of Herzog’s aesthetic, attitude, and method. There are taboos (one of which will be already familiar): “Censorship will be enforced. There will be no talk of shamans, of yoga classes, nutritional values, herbal teas, discovering your Boundaries, and Inner Growth.” There are compulsory and voluntary reading lists. (On the former, Virgil and Hemingway. On the latter, the Warren Commission Report into the JFK assassination: “A most fantastic crime story—a most conclusive, most intelligent thing that human mind can ever put together,” Herzog tells me. “It’s a fantastic piece of human ingenuity.” He declares that anyone who has actually read it has no doubt that Oswald did it, and did it alone. “Everybody raves and rants against it, and nobody has read it, including those like Oliver Stone who has made a film on the assassination. He has not read it. I know it because I asked him. Oh no, he is not reading this kind of crap. I said, ‘You’re wrong, and shame on you.’ “) There is also a list of applicable skills for would-be filmmakers. As well as traveling on foot, these include the art of lock-picking, the creation of your own shooting permit, and the neutralization of bureaucracy.

Another skill Herzog has advocated for filmmakers (and, I suspect, pretty much anyone else whom he considers truly worthy of respect) is the ability to milk a cow: “If an actor knows how to milk a cow, I always know it will not be difficult to be in business with him.” Herzog has also previously claimed that when he walks into a room, he can tell who in there has previously had hand to udder. Or, at the very least, would.

And a remark on making movies

Yes. But shooting a film itself is nothing but banalities. [Then, as though reluctantly, he continues.] However, there’s very rare moments where I get the feeling sometimes I’m like the little girl in the fairy tale who steps out into the night, in the stars, and she holds her apron open, and the stars are raining into her apron. Those moments I have seen and I have had. But they are very rare.