October 22nd, 2010
So much
Until today I had never seen The Rocky Horror Picture Show. Yes, I know—the horror of such a cultural misstep. What an absolute delight that film!
Yet…
does it give you pain, all the things of the world to which you will never get before you die?
October 19th, 2010
still sick but
I won’t bore you with my symptoms but they are lessening. Rather than the empty DVD platter of yesterday, today it is if I have a badly scratched sucker and I get bits (I watched Exit Through the Gift Shop this afternoon), which appear is association (I was thinking about David Hume and his aesthetic judges) but don’t really relate except perhaps (there was an interesting RSAnimation on wimp today) in a decidedly non-linear fashion. One could almost say my mind is a bit circular today with a horrifying number of speed bumps and the consequent mental hiccups.
I think maybe why I connected Hume and Bansky’s film is the idea of trying to define art. Seems a waste of time really. I mean art is something that is not containable in a delineated concept. I know there have been gadzillion attempts, some of them worthy, but really. Back to Hume…see? I just slide off the mental track.
Hume had this thing about expert judges and how art can best be defined by those guys. I think “art” is word that takes its meaning from the social and linguistic context in which it display’s itself. Combined: the judges are the kings of context. They have imbibed so much knowledge and experience that they come to represent (as best as any one person can) the ethos of the times in which they live. It is that moral quality that is the ultimate context in which a piece can be judged.
OK. But why judge? Because we can’t help ourselves I suppose. Like Thierry in the film, we really want to be accepted and that requires the judgment of our peers. And to question judging at all…I suspect that’s a part of our ethos.
Oh. Are those pink fairies?
April 28th, 2010
Now this is art
March 21st, 2010
A Herzog film of splendour
I saw this film yesterday. Oh my. It was so glorious, so deeply moving, that I am still in the stage where I am checking to see if I can get tickets to McMurdo Station. Not that I would actually want to live there, but 6 months or so, yes I would want to do that. I can count penguins.
It’s the same thing as the cicada video I just posted. It’s so non-human that I feel as if I am just a part of things – a small, non-important part – and not the center of the universe. I find the switch from center to periphery deeply reassuring, a stunning pleasure.
This center of the universe thing: that’s the problem with cities, they lead you more deeply into the delusion that the universe is about being human, that our measure is also the measure of the rest of eternity, and of course it isn’t. The most horrible thing is that while the feeling of centrality persists, not only is it simply wrong, it is also deeply disruptive. I mean how can one actually attend to what is in fact the case when blinded by one’s own reflection? I mean it would be like assessing the possibilities of the world outside the home if all one’s widows were mirrors.
This film is a visual reminder of both our belonging and of the non-human nature of reality. I am deeply glad that Herzog was granted a pass to the base because, I suspect, this film is the closest that I will ever get to that booming silence.
February 19th, 2010
Steampunk short I will so be watching come April 16
Now it may just be me, but I can’t help wonder if these movie makers are Pharyngula fans.
via Bioephemera (great, great site)
And this:
How cool is this stuff!
The creator: Matthew Gordon Long, if you want to check him out. Do have a look at his new blog.

