I was never able to read the Little House on the Prairie series, but when I came upon an article called Wilder Women: The mother and daughter behind the Little House stories, I took the time to read it before going to work.

I was glad I did, although I found it oddly depressing to have my sense of the perils of deprivation with respect to the human spirit so rewarded.

The Little House books always seemed to me to be an inaccurate reflection of what hardship actually makes of people. Those characters were always so good, so kind, and having lived around people in poverty and suffering from social and intellectual deprivation for much of my life, my experience is that whilst there are always flashes of kindness that come from even the nastiest of human beings, for the most part this kind of physical and social poverty makes of people’s spirits small bitter walnuts. I realize that makes me seem cynical and it may be so, but it could also be that I am correct in my assessment.
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Project Gutenburg has a copy of Hidden Symbolism of Alchemy and the Occult Arts by Dr. Herbert Silberer. This famous rendition pictured here of the goal of alchemical practice has always been one of my favourite emblems of human desire and the western European narrative that tries to make sense of the experience of wanting. The whole project of alchemy as it pertains to the human psyche is fascinating.

Silberer lived between 1882 and 1923. He was four years old when Emily Dickinson died. Dickinson had been influenced in her thinking by many things but one of them was Transcendentalism, or at least Emerson’s writings about it. Emerson was influenced by the various magical traditions of the west largely through Swedenborg (1688-1772) just as Ethan Allen Hitchcock (1798-1870) was. Although Hitchcock and Emerson focused on different things, one thing stayed the same, they were both obsessed by the notion of the transcendence of the individual human being, as was Dickinson in her own fashion.

Hitchcock was fascinated by alchemy. In fact, it seems as if the finest literary collection of early alchemical works in the United States was his. Hitchcock knew Emerson, and certainly Emily Dickenson had access to Emerson’s essays in her daily papers.  Emerson and Dickinson: arguably two of the most influential writers in American history. And of course there are the Great Awakenings, the first occuring between the (approximate years) 1730 and 1775 and the second between 1790 and 1840. The third rolled around only 10 years after that, between 1850 and 1900. I don’t think it can be underestimated how woven a magical world view is in American society and Letters.